![]() This system is reimagined with new elements including the Tetra2s which produce a completely distinctive look and vibe from anything that has gone before. The Phish signature automated truss aesthetic that has featured in recent years remained, with 30 sticks of 5ft, 8ft and 10ft truss each flown on two Kinesys Apex motors with TAIT Navigator control. With no LED screens or IMAG video on the tour, the visual language is defined by lighting and movement as the band want the audience to focus primarily on the music. This latest Phish tour design process started in the summer of 2021 when the band came back for their first performances since February 2020. Chris says laughing: “Sometimes we bicker about choices like the proverbial ‘old married couple’,” but this clearly works, and whatever the dynamic, the duo produces spectacular imaginative results for Phish and a host of other projects on which they also work in tandem. Gif initially joined Chris as programmer and is now the associate lighting designer and most creative decisions are made jointly. The band has amassed a loyal, enthusiastic and cross-generational following over the years and are known for their genre-blending extended jams and innovative improvisations.Ĭhris and Gif have been working together on Phish live projects since 2009 and enjoy a great synergy and all the benefits of working as a creative duo. ![]() USA – Phish delivered a fantastic summer tour experience for fans in North America, uniting another highly talented collaborative lighting team of Chris Kuroda, long-time lighting designer for Phish, and associate designer Andrew 'Gif' Giffin, who have created a dynamic and eye-catching design with the help of 72 Robe Tetra2 moving LED bars and 60 Robe Spiiders.
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